ACT 2 Scene one
Backstage. Lights are low, the screen is not illuminated and Bernard is sitting with his head in his hands towards the back of the stage.
Kevin- Bernard, what are you waiting for?
Bernard- I don't think I can do this any more. What a night. Instead of debating cinema we're talking to an absurd little man who‘s lost decades remaking Rambo with primitives.
Kevin- You're not getting this are you-
Bernard- No one is going to come back to Film night! No one. We've probably emptied the place already and I don't blame them. Our evening is going to be replaced by Military modelling 101, or Abby’s creosote workshop-
Kevin- No, it's not going to happen and besides you're not getting what Erwin represents-
Bernard- he represents himself, as a priapic BULLSHIT ARTIST Kevin!
Kevin- No, no, you don’t understand; he's our meal ticket. Do you really want to be doing this for the rest of your life?
Bernard- What are you talking about?
K- Erwin's looking for new material, new writers too and he loves working with Brits.
B-
shrugs K- He obviously respects you. I'd say he thinks you're very talented, you understand how movies work, got the smarts - erm – and things likes that, and you'd -
B- I have never heard so much balls.
K- Really, then why did he give me this business card and why did he ask me if you have an agent?
B- I, well he’s probably on something, the guy’s been running round Bulgaria in a flak jacket since god knows when-
K- Nah,listen, you run this show. But you can make something happen here. It’s not like you’ve got anything else going on in your life, Bernard have you? What do you do: you write sales pitches for other people while shuffling up and down the Northern line like a zombie, for fuck’s sake do something!!! When are you FINALLY going produce something of your own, something with real meaning!
B- erm
K- Not to mention Cordelia?
B - Cordelia?
K - little bit of a crush on you...
B- half heartedly Really? beat Oh for god's sake. See what's happening. Erwin's got to you, with all those gratuitous breasts -
K- Not at all. Why not do something here, big up yourself, take a little limelight. Other people are getting stuck in, and getting paid for their creativity; you where’s Bernard’s share? ….Or, maybe you’d rather stay here with an audience of three students?
B- I, look, but-
K- forcefully Come on now, indulge Erwin when we go back out there. Let him go to town so he feels comfortable and happy enough to listen to a few little things we've been working on. Yer’know deep down he wants to do quality work, there is good in him. I've felt it. Listen, I'll put the next clip on, talk to him about Dolph Lungren or something-
B- -Dolph doesn't take his calls.
K- Never mind, get him started anyway and work up his ego a little bit.
B - What are you going to do?
K - You'll see...
The others - Cordelia, Ricardo and Bolo - enter from the back of the auditorium. K - Guys, guys, guys...come here. I was just telling Bernard how we have an amazing finish planned for tonight.
Cordelia - Have you now Kevin?
B - Yes, Erwin's our meal ticket apparently..
Kevin - Shhh..
C - Don't worry; he gave me the same speech. What do I want to do with the rest of my life, Seize the day, the northern line blah, Erwin’s going to take us all off to Hollywood on his golden chariot etc, it's all faintly ridiculous.
B - yes - utterly. But why are you still here if you don’t mind my asking?
C – well I don‘t want to crush a man‘s dreams. Someone sooo very creative and who really knows what he's talking about.
B- Oh
goes red I see-
C- and besides it makes a nice change from acting class. What about you Ricardo?
R - Me? No. I don’t fancy Bernard. I not actually gay you know.
C - Ahhhh, right, okay, thanks for that, but should you be here at all?
R - Why not, I love filme and Kevin a nice guy-
K - yes. yes I am. and I'd like you to remember that. Now let’s get ready. Cordelia - you sit there, Ricardo there. And Bolo?
Bolo is already standing with his arms folded towards the back of the stageK - Ok, if you just stand back a bit, remember the signal, ok good……..Bernard remember, keep him happy and get us onto what he is doing next so we can seal this deal.
B- Hmmm,
glances over at Cordelia ok.
long beat. Lights up.
Bernard moves to front of the stage to address the audience. B - Welcome back. Everyone. Hope you‘re refreshed and ready to resume. I’d like to welcome back to the stage, Erwin Bruckenheimer and Daisy Spears.
And Ladies and Gentlemen, we appear to have a panel!
Cordelia and Ricardo, are both, er, cherished members of our club so we’ll be enjoying their
occasional comments as we go deeper with Erwin, so much deeper, and really discover what makes him tick.
So, Erwin first of all, we’ve covered sex and violence in your output, are there other types of films you’d like to make and what do you think is missing from today’s movie scene, would you say?
E- Gosh, first of all you know we’ll still be making movies about sex and violence in the year 3000, we remain basically apes and people who buy tickets for my stuff, they are comfortable with their inner ape. So to speak. But I, myself, have other projects which are more cerebral. Thinking about the world. We need to save it. I mean I all for Global Warming in places like Britain, don't get me wrong, fish and chips on the beach, in Manchester, but noone wants to live on Waterworld, running around waiting for the fishmen. Point of fact, I already produced on a movie, something heartfelt and challenging, that actually deals with the Environment straight out, through the medium of Chuck Norris.
B-
lost for words Aaaaaah
Daisy- That was an incredible film
beat unfortunately the IRS didn’t see it that way, but what can you do-
E- Yeh I don’t like to talk about it too much but.....I will, what we did there was consider the big canvas, from the point of view of a lumberjack. Okay, it’s a lumberjack with some martial arts and anger management issues — but he’s basically a thinker. Now Chuck played the lead and he goes up against corruption and big business guys who are threatening his forest. Then we added the supernatural shit for even more impact-
D- And the special effects were a-mazing!
B- I’m sure it was triumph. Great. Kevin do we have a-
K- Yep, coming right up-
B-ok, let’s take a look.
E- Can I just say we're proud of this one despite what the critics said. I take as I find, but generally i find critics to be very shallow people and they often have things like jaundice and cooties, so they can't go out too much.
B- Okay. Kevin!
BeatCordelia-
laughing You turned Chuck Norris into a bear!
Ricardo- yeah but it worked, iz all about karma, no? Circles of life, makuna me-tutu-
Erwin- Whatever, it died a death and nearly ruined me. But you bounce back and I’m ready to tackle those big issues again.
Bernard- right, soo Daisy, let me ask you the same; what you types of movie would you work on in an ideal world?
Daisy- Well I just wanna work honey. Seriously though, I do think it’s about time they did a big screen remake of Hedda Gabbler. And I’ve always wanted to appear with Joe Pesci.
Cordelia- Why not combine the two?
Daisy- No, that wouldn’t work. Gaaaawd,you don't no much about casting do you?
Cordelia- it was a....never mind, you didn’t ask me, I see, Bernard-
B- I, sorry-
Cordelia- and what I’d like to see is new British talent in whatever form-
Ricardo- and whatabbout me! I want more filmes like Beaches.
Erwin- ha, they called that a three-hankie movie. I can think of a few others...
Ricardo-
singing Did you ever know that yooou my hero, everyting I looonged to beeeee.Cordelia- I don't like weepies.
Daisy- You gotta bond with your girlfriends, girlfriend
Ricardo-
I can fly higher than an ea-gle- Bernard- YES, thank you Ricardo!
R- Sorry. I not gay.
sottoI grew up with emotione.
Bernard- Yes, yes, great! This is exhilarating. Erm, Alfred Hitchcock!!?
Erwin- I’ve never liked him-
Daisy- He hated women-
Ricardo- Scary birds-
Cordelia- not sure Kevin has-
B- Well it was worth a try. What about new talent though? Where
are you going to find the next generation Erwin?